Audys Acoustic Audio Panels
The panels are available in different formats, finishes and colors: grey, white, custom colors and natural wood.
We chose an extremely porous and light wood whose cells allow a good absorption coefficient for porosity from 0.15 at low frequencies to >0.3 at high frequencies.
The wooden panels are carefully selected by a “beating” procedure to ensure the best vibrance and resonance. This highly specialized technique is operated by a Master whose knowledge is mutuated from the construction of musical instruments, combining acoustics and music principles.
The diffraction is based on a series of 23 numbers as a quadratic Schroeder resonator, but with some calculation applied to modify the series. Starting from an effective initial response between 2500 and 12500 Hz we have further enlarge the frequencies range.
Built to improve HiFi and High-End performances • Combining the best sound vibrance, resonance, refraction and absorption
The vibrating panel was calibrated for an effective response in a large environment that housed a panel of 3 meters x 1.2 meters and a fundamental of 14Hz. With the subsequent integration of the speaker grooves, the vibrating panel has acquired multiple vibrations creating a Broadband response ranging from 26Hz for large panels to 100/120 Hz for the smaller panels.
However, the integration of assembly and restraint systems made it possible to build large walls from multiples of 60x120 and 30x120 and also 60x240 and 30x240, with linear lengths of even 3 meters. In this case the behaviour combines in a single part the behaviour of the wall of 3 meters with the sub-elements that compose it. AUDYS TOTEM S2 60x180 cm is 15 cm deep for low frequencies and 5 cm as standard version.
-
Composer, flautist, sound engineer, sound producer, designer and consultant for audio product companies. He is the founder and sound master of VDM SOUND GROUP, a rich and varied business reality in the world of audio and music. He is one of the greatest Italian experts in sound direction and high definition audio recordings.
He studied at the Santa Cecilia Conservatory in Rome and at the Alfredo Casella Conservatory in L’Aquila, where he graduated in composition and flute.
His teachers were Luciano Pelosi, Alessandro Sbordoni, Salvatore Lombardi, Giampio Mastrangelo.
Over the years he has combined his artistic commitment with other activities that see him involved in numerous projects that link music, sound and technology, in Italy and abroad.
This activity includes musical productions for Sir. Antonio Pappano, for the Rossini Opera Festival in Pesaro and sound engineering & production projects for the Lebanese soprano and composer Hiba Al Kawas.
He regularly collaborates as a sound director with some of the main Italian musical realities from Radio 3 to RAI Trade, from the IUC-Istituzione Universitaria Concerti of Rome, to the Academy of Santa Cecilia and many others.
In 2020 he took part in the inauguration of the new Genoa bridge, taking care of the audio project.
He is the founder of the record label VDM High End Records and of SlowSound, a cultural movement born to promote conscious and quality listening.
He has been a teacher of recording and mastering techniques at the Saint Louis College of Music in Rome and at the Istituto Musicale G. Paisiello in Taranto and is the author and protagonist of several articles published in specialized and sector magazines Sound&Light - ProSoundNewsEurope - Headliner.
As a sound director and producer he has also collaborated with Sir James Galway, Mariss Jansons, Anna Netrebko, Sarah Chang, Viktoria Mullova, Angelika Kirchschlager, Academy of St Martin in the Fields, Andrea Griminelli, Elina Garanˇca, Gautier Capuçon, Renaud Capuçon, Emmanuel Pahud, Erwin Schrott, Bernarda Fink, José Cura and countless other artists.
